Blurb: Play the Piano introduces Charles Bukowski’s poetry from the 1970s. He leads a life full of gambling and booze but also finds love. These poems are full of lechery and romance as he struggles to mature.
This is such a visceral and potent piece. I highly reccomend you read it.
Susana Morris | Longreads | September 2017 | 20 minutes (4,997 words)
I received the notice for jury duty with mild annoyance. I hoped I wouldn’t get picked as I put the date of the summons on my calendar. I thought about how jury duty would throw me off my work schedule; how I didn’t want to participate in this particular part of civic life in small town Alabama; how I didn’t want to help someone, probably another Black person, go to jail.
But I didn’t spend too much time worrying. It was summertime and the date, during a week in the middle of September, seemed an unpleasant blip on the road far ahead. I pushed it out of my mind and tried to enjoy the remaining pieces of a waning summer in my sleepy southern town.
Eventually the summer break gave way to the fall semester, though the weather…
View original post 5,071 more words
A writer I know rather well with an enjoyable writing style has put out this awesome read, and I’m so excited to read him again. Go give a little love, why don’t you?
So, this is a slightly belated introduction/ post on the Self-Published Fantasy Blog-Off 2017, Mark Lawrence’s third annual self-publishing competition extravaganza. 300 fantasy novels are sent to 10 different bloggers who will, over the course of 2017, choose 1 winner. The one book to rule us all. Or something. As Mark Lawrence himself says: “There’s no […]
This sounds really fascinating to me. Who knows we may discover some new and exciting authors! I’m rather excited to check this out
Scan the average national news source and millennials are being blamed for the decline in everything from the oil industry to the beer business. (Even IndieWire has placed the demise of the DVR at their feet.) With a murky, nebulous attitude toward an emerging generation, it’s difficult for shows based primarily around millennial characters to…
This is a really thought provoking blog on how to approach writing fight scenes. It is very tempting, for young writers and new writers, to make action scenes into anime or the Matrix (OR the Ani-Matrix). Once upon a time I was one of them, but it quickly became apparent that it didn’t work. Fiction text isn’t the same as what appears on the screen. Clarity should top flashiness, mood should always be conveying the tone you intend, and the closer you get to those fighting the more you use the possibilities of fiction to their full capabilities. BUT that’s just my take, what do you all think?
On social media, forums and Reddit of late I’ve seen quite a few people asking about writing fight scenes. So this week, with axes in hand, I thought we’d battle our way through it.
There seems to be a few general rules of thumb for writing fight scenes. They are:
- Blow by blow is boring;
- Clarity is king;
- Show v tell.
Let’s look at each in detail.
Blow by blow is boring
“He swung left, then right, dodged a lunging blow from behind, rolled to the right, raised his sword to parry another attack.”
A fight scene should not be a stream of blow after blow until everyone’s dead or retreated. Rather, it ought to be a portrayal of a character’s physical and mental state as they experience danger.
In movies seeing every punch and kick, decapitation or shooting is sadistically entertaining. On the page it’s a different…
View original post 1,242 more words
“For me, there’s nothing more cringe-worthy than when a first-time author announces that their manuscript is over 200,000 words, or worse yet, 300,000 words. The worst part is that they usually say with pride, like they’re looking for praise. I’ll admit, writing that many words is quite an accomplishment and for that reason, they should be proud, but announcing a single volume manuscript that long tells me that the writer has not done their research in regards to how long their novel should be to fit established guidelines.
Now, most word count guidelines are just that; guidelines. That said though, there are practical reasons why those guidelines exist. That’s not to say that a 200,000 word manuscript can’t be published that way, but it’s less likely to be and it will run into a few problems trying to get there.”
This is a short and nifty article to help explain something I have seen dozens of writers struggle with, and in the past have struggled with myself. As I said in the comment sections of this piece, by the end of a story the story should be where it needs to be. There are some marvelous books that I’ve found myself extremely disappointed in because the author seemed to keep padding or seemed desperate to conclude their massive novels. Their editors are probably great, but after a certain point the novels simply declined between half one and two. As a reader I found myself asking “Did they have an editor who knows pacing and length?”. I think being aware of word counts is secondary, but it can be important to keep in mind when thinking about if your story is doing what it needs to do in the length it is.